top of page
Writer's pictureBrunelle Dias

Research Question - Attempt 1

  1. How might paint (be used to) "figure" into the interconnectivity of my small everyday and past experiences in relation to larger politics through post colonial/ decolonial lens?

  2. How might paint "figure" into the interconnectivity of my small everyday and past experiences in relation to larger politics within the canvas that functions as a contemporary tapestry decolonial lens?

  3. How might paint "figure" into the interconnectivity of my seemingly "small", non linear experiences in relation to "big" politics within the canvas that functions as a contemporary tapestry decolonial lens?

  4. How might paint "figure" into the interconnectivity of my seemingly "small", non linear experiences in relation to "big" overarching politics, within the canvas- that functions as a contemporary tapestry through a decolonial/ post- colonial lens?

  5. How might the materiality and action of painting figure into the "knot" of experience, which is inextricably linked to the "everyday" and simultaneously larger political forces, whilst existing within the canvas that functions as a contemporary tapestry.

  6. How might paint, that is the action of and its materiality, figure into the interconnectivity (mesh) of (my) life, including the seemingly "small" things in relationship to big things (political forces), within the realms of the canvas which will function as a contemporary tapestry.

  7. How can paint figure into the mesh of (my) Small everyday experiences that are inextricably linked to big politics, within the space of the canvas which might function as a contemporary/ neo tapestry in order transform representation as fluid narration through a decolonial/ post colonial lens?

  8. How might paint create an awareness around the introspective substances that make up human identity, which can affect community within the space of the canvas, that will function as a contemporary tapestry?

  9. How might paint figure into various small things, be it introspective substances and/or seemingly insignificant "everyday" experiences, that affect an individual in big ways, including their relationship to larger political expression within the canvas.

  10. How can paint figure into the mesh of (my) Small everyday experiences, including (my) "introspective substances" that are inextricably linked to Politics, within the space of the canvas which might function as a contemporary/ neo tapestry in order to transform representation as fluid narration through a decolonial/ post colonial lens?

  11. How can the materiality and the action of painting figure into the mesh of (my) Small everyday experiences, including (my) "introspective substances" within the space of the canvas which might function as a contemporary tapestry in order to transform (its?) representation as fluid narration through a decolonial/ post colonial lens?

  12. thus one might posit how might seemingly insignificant experiences gradually consider larger political expression

  13. How can painting figure into the mesh of (my) Small everyday experiences within the big (things/understandings/ politics/ life/ culture/ religion), residing in the space of the canvas(s), which might function as a contemporary tapestry/ a field (methodology) , in order to represent a manifestation of (the significance of) (relationship and interconnectivity) ?

2 views0 comments

Recent Posts

See All

Working Bibliography

'Everything in Nature Goes in Curves and Circles’: Native American Concepts of Disability – Health & Medicine in American History,”...

Comments


bottom of page