Attempt 2 Research Question

1. How can painting figure into the mesh of (my) Small everyday experiences within the big (things/understandings/ politics/ life/ culture/ religion), residing in the space of the canvas(s), which might function as a contemporary tapestry/ a field (methodology) , in order to represent a manifestation of (the significance of) (relationship and interconnectivity) ?

2. How can a compost of western dominant culture be decomposed and and uses within the "field of the canvas, by which I can cultivate painting?

3. How might the canvas which may function as a "field", be cultivated to decompose and thus decolonize its representations through the a diverse, process based approach in painting?

4. How might the field within the canvas be cultivated to symbolically represent the mesh of my Small everyday experiences, within the big in order to manifest and have a deeper understanding of relationship and interconnectivity?

5. How can painting figure into the mesh of (my) Small everyday experiences within the big, residing in the space of the canvas(s), which might function as a field, in order to represent a manifestation of relationship and interconnectivity?

6. How might the canvas be transformed, by utilising a biodiverse? Sustainable? Organic?philosophy, to function as a field in order to cultivate, compost, regenerate small representations within the big..

7. How might the canvas, functioning as a field, be cultivated to symbolically represent/compost the mesh of my Small everyday experiences within the big, in order to manifest and explore a deeper understanding of relationship and interconnectivity with human and non-human nature?

8. How might the canvas, functioning as a field, be cultivated to represent the mesh of my Small everyday experiences within the big, in order to manifest and explore (understand? ) relationship and interconnectivity through the medium of paint?

9. How might the canvas, functioning as a field, be cultivated to represent the mesh of my Small everyday experiences within the big, as a decolonial act, in order to explore intimate relationship and interconnectivity through the medium of paint?

10. How can the (compost/ mesh) of my Small everyday experinces within to the big, be utilized in order to cultivate the "field" of the canvas as a decolonial process, in order to explore intimate relationship and interconnectivity, with human and non human nature through the medium of paint?

11. How might the compost of my Small everyday experiences as a response to the big, be utilised, as a but not limited to decolonial process in order to cultivate the field of the canvas, in order to figure into fertile relationship and interconnectivity, with human and non human nature through the medium of paint?